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A Collective of One: Umberto Boccioni’s I/We and Photography before Futurism

Louis A. Simpson International Building - A71

Sometime between 1905 and 1907, the artist Umberto Boccioni stepped into a photographic cabinet to sit for a “multigraph”: a fivefold (self-)portrait created with the aid of an unseen mirror.  Appealing to the general public as the twentieth century progressed, the format would also become a visual calling-card for several avant-gardists.  Yet Boccioni’s multigraph stands […]

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